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Barbenheimer Box Office: How Barbie and Oppenheimer Powered Historic Weekend

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“Barbenheimer” keeps on growing. Greta Gerwig’s very pink fantasy-comedy “Barbie” and Christopher Nolan’s extremely dark historical drama “Oppenheimer” powered to bigger opening weekends than originally reported.

“Barbie” ended up with $164 million in its first weekend of release, above Sunday’s already record-breaking estimate of $155 million. Those ticket sales rank as the biggest opening weekend of the year — besting “The Super Mario Bros. Movie” ($146 million). It also stands as the biggest debut ever for a film directed by a woman, overtaking Anna Boden and Ryan Fleck’s 2019 blockbuster “Captain Marvel” ($153 million).

“Oppenheimer,” too, beat expectations with $82.4 million, just slightly higher than Sunday’s huge $81.5 million projection. At the international box office, the biopic about the “father of the atomic bomb” added $93.7 million for a global tally of $174 million. Even with a box office draw like Nolan at the helm, it’s a remarkable start for a three-hour-long period piece with little action and lots of talking.

The cultural craze of “Barbenheimer,” complete with double features of the seemingly different blockbusters that premiered on the same day, helped to fuel the biggest collective weekend at the box office since the pandemic. More impressively, it’s also the fourth-biggest weekend in history with over $300 million industrywide. The top three weekends of all time were led by the debuts of sequels in massive franchises: “Avengers: Endgame,” “Avengers: Infinity War” and “Star Wars: The Force Awakens”.

Both films managed to crush already-stratospheric expectations. Heading into the weekend, analysts were anticipating a $100 million to $110 million start for “Barbie” and a $50 million debut for “Oppenheimer.” For the record, either of those results would have been notable for non-franchise films in the heat of summer.

More to come…





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